Sigma 50-150mm f/2.8 EX DC OS HSM APO Telephoto Lens for Nikon F Mount . AU $732.79. AU $117.47 postage. 2199 SIGMA APO 50-150mm F2.8 II EX DC HSM 7266412 With hood case for PENTAX PENT. AU $876.80. AU $101.33 postage. or Best Offer. SIGMA APO 50-150mm F2.8 II EX DC HSM Pentax 592. Sigma 50-500mm F4.5-6.3 APO DG OS HSM; 写真一覧; Sigma 50-150mm f/2.8 EX DC APO OS HSM; Sigma 17-50mm F2.8 EX DC OS HSM. Sigma 150-600mm f/5-6.3 DG OS HSM C Lens - Nikon F. Extend cover to 3 years with Jessops Care Plan; Add to Basket. Learn More. Details. Sigma 105mm f/2.8 EX DG HSM OS Macro - Canon EF. Optical Stabilizer; Large Max Aperture Extend cover to 3 years with Jessops Care Plan; Add to Basket. Learn More. Details. Sigma 18-50mm F2.8 DC DN C Inzerát Sigma 105 mm f/2,8 DG DN MACRO Art pro Sony E v okrese Ostrava-město, cena dohodou, od Daniel Palarčík na Sbazar.cz. Popis: Prodávám zánovní objektiv Sigma 105mm Macro. Je třikrát použitý, prodávám ho z důvodu nedostatečného využití. Objektiv si užije každý milovník makro fotografie. Je to jeden z nejnovějších macro objektivů pro Sony bajonet E, vydán na Sigma APO 50-150mm F2.8 EX DC OS HSM, designed especially for APS-C size image sensors. Sigma's proprietary OS (Optical Stabilizer) system offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible, enabling hand held tele-photography. Six SLD glass elements compensate for chromatic aberrations and provide The lens has a 'tiny' mark on the edge, completely out of image 'vision' UV Filter included." Compatible Brand: For Nikon Focal Length: 50-150mm Maximum Aperture: f/2.8 Series: Sigma DC Type: Telephoto Brand: Sigma Mount: Nikon F Back to home page Return to top More to explore: Sigma EX Nikon F Camera Lenses for Nikon, Sigma 258101 105 mm F2,8 EX Makro DG OS HSM-Objektiv (62 mm Filtergewinde) für Canon Objektivbajonett. 5,0 von 5 Sternen Sigma 50-150mm 2,8 EX HSM II APO DC Objektiv für Nikon. Eine ausführliche technische Rezension des Objektiv findet man unter photozone.de. 4OuBi. SLRgear Review December 4, 2012by Andrew Alexander The Sigma 50-150mm ƒ/ EX DC OS HSM APO started to hit store shelves in April of 2012, an update to the previous non-optically stabilized version which has seen a few revisions, and has now been discontinued. The Sigma 50-150mm ƒ/ OS was designed to fit the APS-C sized sensor of digital camera bodies hence its "DC" designation using it on a full-frame camera will result in vignetting on the sides of the captured image. It features a maximum aperture of ƒ/ regardless of the focal length chosen. On a Canon body, the 50-150mm lens provides an effective field of view of 80-240mm; on other bodies, the effective field of view is 75-225mm. The lens is available now in Canon, Nikon, Sigma, Pentax and Sony mounts, ships with a tripod mount and petal-shaped lens hood, and retails from around $1,100. Image stabilization testing now added! Sharpness The Sigma 50-150mm ƒ/ OS is quite simply one of the sharpest zoom lenses we have had the opportunity to test. Even used wide open at ƒ/ the lens provides tack-sharp images, from 50mm to 150mm. Stopping down the lens provides practically insignificant improvements in image sharpness this lens is just excellent at every setting. Diffraction limiting sets in at ƒ/11, but there is very little practical impact on image sharpness until ƒ/16, and more significantly when fully stopped down at ƒ/22. Chromatic Aberration There's no such thing as a free lunch, and if there is any problem with the Sigma 50-150mm ƒ/ OS, it would be the presence of chromatic aberration. It's not surprising to see; there are 21 pieces of glass between your subject and the sensor, and fortunately, it's not overly present in images. Chromatic aberration shows up in images made with this lens in the form of magenta-green fringing in areas of high contrast, predominantly in the extreme corners of the image. If you would seek to avoid any trace of CA, shoot at 100mm where it is lowest. Shading ''Vignetting'' The only point where there is any real shading of the corners is when the lens is being used at ƒ/ In this case we see corners which are 2/3 of a stop darker than the center, when the lens is used at 150mm; at other focal lengths at ƒ/ the corners are around a half-stop darker than the center. At other focal lengths and apertures, corner shading isn't really a problem. Distortion Distortion is kept remarkably low for a zoom lens there is some light barrel distortion when the lens is used between 50-70mm + and very light pincushion distortion when the lens is used between 100-150mm There is a nice sweet spot of parity at the 80mm mark where distortion is negligible. Autofocus Operation Built with Sigma's HSM specification, focus is conducted hypersonically, meaning it is very fast and virtually silent the lens took less than a second to go from close-focus to infinity. If you're using a compatible body, that is if your SLR body doesn't support HSM, it won't autofocus at all. Autofocus results can be adjusted at any time by just turning the focus ring, and attached 77mm filters will not rotate. Macro The Sigma 50-150mm ƒ/ OS HSM isn't a great macro lens its close-focusing distance is 80cm 31 1/2 in. and its magnification ratio is Build Quality and Handling The Sigma 50-150mm ƒ/ OS HSM is a solid lens, well-built with a metal lens mount. The lens finish is Sigma's standard matte black with a slightly rubberized texture. The filter ring is a hard plastic, and accepts 77mm filters that won't rotate during focusing or zooming. The lens sports a few higher-quality features, such as a recessed distance scale covered by a glass plate, internal focusing and a nine-bladed diaphragm. Sigma has done some impressive work under the hood, with 21 lens elements in 15 groups, including 6 SLD lens elements. There are two switches of note one to enable or disable autofocus, and one to enable or disable optical image stabilization. There are two optical stabilization modes available to be enabled. The design of the lens might take some getting used to for some the focus ring comes first, and then the zoom ring closer to the filter end of the lens. The focus ring is quite small, just 7/8'' wide with raised rubber ribs. The ring has about 120 degrees of turning action and ends in soft stops the focus ring will keep turning, but an increase in resistance lets you know that you have reached the end. The zoom ring is the larger of the two, quite wide at 1 3/4'' and composed with larger raised rubber ribs. The zoom ring has a throw of around 90 degrees zoom creep is not a factor with this lens, as it uses internal focusing and thus, the length of the lens does not change with zooming or focusing. The zoom ring is nicely finished, and offers a good level of resistance when turning it takes around two fingers to turn the ring. The lens ships with a petal-shaped lens hood with the designation of LH850-02 589. This hood is quite large, adding 4 inches to the overall length of the lens when mounted. The hood does reverse and connect to the bayonet mount of the lens, for easy storage. The interior is ribbed to help cut down on flare. Also shipping with the lens is a removable tripod mount which turns very nicely however, it doesn't have 90-degree click stops as other manufacturers provide. Alternatives Sigma 50-150mm ƒ/ II EX DC HSM APO ~$n/aSigma provided the only dedicated competition for this type of zoom lens, and it took itself out of the running by discontinuing the predecessor lens. There's been a dramatic improvement in the newer version of the 50-150mm, pretty much across the board the new lens is much sharper, chromatic aberration has been improved at the telephoto end, and there is much less distortion. Add on optical image stabilization, and there is every reason to upgrade. Canon EF 70-200mm ƒ/ IS II USM ~$2,100Canon doesn't provide a 70-200mm experience for its EF-S mount cameras, so to stay brand loyal you'll have to buy the flagship lens and live with an effective field of view of 112-320mm. Performance is on par with the Sigma which is something to raise eyebrows over with perhaps better results when it comes to chromatic aberration. Nikon 70-200mm ƒ/ ED VR II AF-S ~$2,400Nikon also does not produce something in the 50-150mm range, so again, for the field of view, you'll have to get the flagship. Performance is on par with the Sigma, though significantly better when it comes to chromatic aberration, corner shading and distortion. Pentax 50-135mm ƒ/ ED AL IF SDM SMC DA* ~$1,500Of all the mount choices, Pentax is the only one that offers a lens in the same category as the Sigma, but we have not yet tested it. Sony 70-200mm ƒ/ G ~$2,000Sony also does not offer something in the 50-150mm range, so you will have to buy its version of the popular 70-200mm range. We were not blown away by images shot at ƒ/ with this lens, especially at the 200mm end, so we see little incentive to spend twice as much as the Sigma. Conclusion Sigma has a habit of identifying shortcomings in the lens offerings by other camera manufacturers and exploiting them in 2006, with the introduction of the first 50-150mm ƒ/ DC, it managed a coup, offering a 70-200mm experience for the APS-C camera. Sigma has certainly managed to improve on the initial and subsequent redesign of that lens, in the current optically-stabilized implementation. It's one of the sharpest telephoto zoom lenses we have ever tested, and should warrant serious consideration by photographers shooting with APS-C sensor-basd cameras. Not only will you have a significant amount of money, but you will make some great photographs, too. Product Photos Sample Photos The VFA target should give you a good idea of sharpness in the center and corners, as well as some idea of the extent of barrel or pincushion distortion and chromatic aberration, while the Still Life subject may help in judging contrast and color. We shoot both images using the default JPEG settings and manual white balance of our test bodies, so the images should be quite consistent from lens to lens. As appropriate, we shoot these with both full-frame and sub-frame bodies, at a range of focal lengths, and at both maximum aperture and ƒ/8. For the ''VFA'' target the viewfinder accuracy target from Imaging Resource, we also provide sample crops from the center and upper-left corner of each shot, so you can quickly get a sense of relative sharpness, without having to download and inspect the full-res images. To avoid space limitations with the layout of our review pages, indexes to the test shots launch in separate windows. Sigma 50-150mm f/ EX DC OS HSM APO Sigma 50-150mm f/ EX DC OS HSM APO User Reviews average of 3 reviews Build Quality Image Quality 9 out of 10 points and recommended by Kdavis 4 reviews Good length, DX formated, Good quality Heavy This is not a bad lens and I love the 50-150mm range....unless you desire a bit more reach.......so I found a very good used copy of a Nikokn 80-200 AF two ring and boy do I love it. To compare the two I give a slight edge to the Nikon for image quality and build quality but I'm not going to knock the Sigma at all. It's a good lens albeit heavy thanks to the HSM motor and it has OS as well. I'm happy to have both although the Sigma is for sale on Amazon currently.....for the moment anyway. I listed it once before and removed it cause I hated to part with it and before the ink dries on this review, I'll probably remove it again. Get this lens if you want it for your DX camera. You won't be dissapointed. reviewed August 12th, 2014 purchased for $1,009 8 out of 10 points and recommended by S8472 1 reviews Sharp wide open! Fast AF and effective OS Weight, not weather sealed, shorter focal length at close focus This lens at least my copy lives up to the excellent measurement results on this site. Sharpness is very impressive, it's sharp everywhere. Right from over the zoom range. There is only one caveat the effective focal length becomes significantly shorter with closer subjects. At closes focus 80cm it's a 50-100mm. Being a lens in the portrait range focus around 3m / 10ft it is not a 50-150 but somewhere between a 50-120 and a 50-135. I found that when I made some test pics to compare sharpness with my old Canon 70-200 f4L. reviewed April 27th, 2013 0 out of 10 points and recommended by deltadave44 1 reviews won't be released for sony/pentax shooters here's the quote from an email i received from sigma..." Unfortunately at this time there are no plans to release that lens in Sony mount. I have had other inquiries into this in the past and have asked the parent company as recently as 2 weeks ago. But they continue to tell me that the lens will not be available in Sony or Pentax. I hope one day that changes, but I honestly don’t see that happening. I apologize for any inconvenience this causes.' reviewed March 20th, 2013 0 out of 10 points and recommended by turps 1 reviews Your review states that this new version of the Sigma 50-150 is available now for Sony and Pentax mounts - but the Sigma website lists only Canon, Nikon and Sigma. I would like to get this lens for my Sony A550.... reviewed December 17th, 2012 9 out of 10 points and recommended by buddywoods 1 reviews Wide aperture, sharp, good range for a crop sensor heavy, not water sealed I have a Canon 70-200 f/4L IS but found it to be a little long on my 7D for indoor portraits in my basement so I bought this lens. This lens focus is accurate and pretty fast. I found this lens to be as sharp as my Canon 70-200 f/4L IS. reviewed May 5th, 2012 purchased for $1,099 SIGMA APO 50-150mm EX DC OS HSM The Sigma Corporation is pleased to announce the new Sigma APO 50-150mm EX DC OS HSM, designed especially for APS-C size image sensors. Sigma’s proprietary OS Optical Stabilizer system offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible, enabling hand held tele-photography. Six SLD glass elements compensate for chromatic aberrations and provide high image quality throughout the zoom range. The Super Multi-Layer Coating reduces flare and ghosting and ensures sharp and high contrast images even at the maximum apertures. The lens design adopts an inner focusing and inner zooming system to provide convenient handling and the HSM Hyper Sonic Motor ensures quiet and high speed autofocus while allowing full-time manual focus override. This lens has a minimum focusing distance of 80cm and a maximum magnification ratio of 1 The rounded 9 blade diaphragm creates an attractive blur to the out of focus areas of the image. The addition of Sigma’s TELE CONVERTER EX DG APO or 2x EX DG APO produces a 70-210 F4 AF telephoto zoom lens or 100-300 AF telephoto zoom respectively. SIGMA APO 50-150mm EX DC OS HSM Hood,Case supplied. [Specification] For Sigma mount *Lens Construction21 Elements in 15 Groups *Angle of View degrees *Number of blades9 pcs *Minimum ApertureF22 *Minimum Focusing Distance80cm / *Maximum Magnification1 *Filter SizeDiameter77mm *DimensionsDiameter / in. *WeighTBD * Nikon mounts do not have an aperture ring. Some functions may not work depending on the camera model. * The appearance and specification are subject to change without notice. Lens Review Specifications Description IS Test From Sigma lens literature The Sigma Corporation is pleased to announce the new Sigma APO 50-150mm EX DC OS HSM, designed especially for APS-C size image sensors. Sigma’s proprietary OS Optical Stabilizer system offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible, enabling hand held tele-photography. Six SLD glass elements compensate for chromatic aberrations and provide high image quality throughout the zoom range. The Super Multi-Layer Coating reduces flare and ghosting and ensures sharp and high contrast images even at the maximum apertures. The lens design adopts an inner focusing and inner zooming system to provide convenient handling and the HSM Hyper Sonic Motor ensures quiet and high speed autofocus while allowing full-time manual focus override. This lens has a minimum focusing distance of 80cm and a maximum magnification ratio of 1 The rounded 9 blade diaphragm creates an attractive blur to the out of focus areas of the image. The addition of Sigma’s TELE CONVERTER EX DG APO or 2x EX DG APO produces a 70-210 F4 AF telephoto zoom lens or 100-300 AF telephoto zoom respectively. Lens Review Specifications Description IS Test Add this product to your shortlist for comparison Gear list 158 61 69 I own it I want it I had it Manufacturer description A large-aperture telephoto zoom lens for digital camera use only and is designed especially for portrait photography. Comparable to a 70 to 200mm on a large chip camera, this high quality, professional workhorse is unique as its compact, lightweight body provides freedom of movement and versatility and the large maximum aperture of and its shallow depth of field offer greater freedom of creative expression. Most importantly, it incorporates the critical technologies that make it an outstanding optical performer which includes four SLD Special Low Dispersion glass elements employed for effective compensation of color aberration and Super Multi-Layer lens coating which reduces flare and ghosting and assures high image quality throughout the entire zoom range. The Internal Focusing System allows for convenient use of a polarizing filter for creative effects & improves the optical performance of the lens at various distances Lens type Zoom lens Focal length 50–150 mm Image stab. Yes 4 stops claimed Lens mount Canon EF-S, Nikon F DX, Sigma SA Bayonet Max aperture Min aperture F22 Min focus m Max magnification Weight 1350 g lb Length 198 mm See full specifications

sigma 50 150mm f2 8 ex dc apo os hsm